CLIENTS

Sound On Sound Studios is well known for our large-scale cast recordings, movie scores, and some of the biggest albums of the last few decades. Come see why so many have chosen our studios.

: 2007 Def Jam, various songs mixed and recorded in Studios A and C by Andrew Dawson

: 2010 Def Jam, Recorded and Edited in Studio C

: 2012 Columbia Records, Strings recorded by Rob Mathes and Toby Scott in Studio B

: 2012 Def Jam, Edited by Frank Ocean and Malay in studio C

: 2008 Island Records, recorded in Studio C by Ian Cross and Rodney Jerkins

: 2011 Defjam, Additional vocals on “Power” recorded by Ken Lewis in studio C

: 2011 Columbia Records, Recorded and Mixed by DJ Swivel in studios A, B, and C

: 2010 Universal Motown, Mixed by Tom Soares in Studio C

: 2010 Def Jam, recorded in Studios A and C by Ahmir Thompson, John Smeltz, Steve Mandel, Chris Soper, and Nick Banns.

: 2012 Universal/Cash Money, Recorded in Studio C by Ariel Chobaz

: Warner Bros. 2012, Recorded in Studio C by Finis White

: 2010 Universal Motown, Recorded by Ryan West in Studio C

: 2010 GOOD Music/Columbia, Recorded by Ahmir “?uestlove” Thompson, Steve Mandel, and Alex Venguer in studios A, B, and C.

: 2011 RCA Records, “Look At Me Now” mixed by Brian Stanley in Studio C

: 2012 Casablanca Records, recorded in studio C by Nick Littlemore and Angie Teo

: 2011 Warner Bros. Pictures, Original Film Score mixed in Studio B by Peter Cobbin

: 2011 Sh-K-Boom!/Ghostlight Records, recorded in Studio A by Stephen Oremus and Frank Filipetti

: 2011 Sh-K-Boom! Records, recorded in Studio A by Lawrence Manchester

: 2010 Universal/Decca, recorded and mixed by Phil Ramone and Frank Filipetti in studio B

: 2011 ANTI-Records, Recorded in Studio B by Gabriel Roth and Ahmir “?uestlove” Thompson

: 2011 Mercury Records, Recorded by Rob Mathes and Claudias Mittendorfer in Studio A

: 2011 Universal, strings recorded by Rob Mathes and Alex Venguer in Studio B

: Interscope 2011, Vocals for “Right There” Recorded by Ky Miller in Studio C.

: 2010 Nonesuch Records, Recorded and Mixed in Studio B by Pat Metheny and Joe Ferla

: 2010 Def Jam, “Lights, Mics, Camera, Action” mixed by Pat Viala in Studio C

: 2011 Def Jam, recorded in Studios B and C by John Smeltz and LB

: 2012 Columbia Records, strings for “You Can Finally Meet My Mom” recorded in studio A by Rob Mathes and Alex Venguer

: 2011 Verve, mixed in Studio B by Richard Perry and Frank Filipetti

: 2011 Warner Bros. Theatrical, recorded and mixed by David Lai and Isaiah Abolin in Studios A, B, and C

: 2012 Sony Masterworks, recorded in studios A and B by Nigel Wright and Robin Sellars

: 2011 Rhino Records, recorded in Studio A by Frank Filipetti

: 2009 Universal/Dreamworks, recorded and mixed in Studios A and B by Jeanine Tesori and Lawrence Manchester

: NBC 2012, various songs recorded in Studios A, B, and C by Marc Shaiman, Lawrence Manchester, and Todd Whitelock

: 2012 PS Classics, recorded in Studios A and B by Tommy Krasker and Bart Migal

: 2012 Sh-K-Boom! Records, recorded in studio A by Frank Filipetti

: 2012 Broadway Records, recorded in studio A by Dean Sharenow

: 2011 Sony, recorded and mixed in Studios A, B, and C by Steve Lillywhite and Bono

: 2011 Sony Masterworks, recorded in Studio A and mixed in Studio B by David Caddick and Todd Whitelock

: 2011 Concord Records, mixed in studio B by Joe Ferla

: 2011 Def Jam, “That’s My Bitch” mixed by Q-Tip and Blair Wells in Studio C

: 2011 Mack Avenue, Mixed by Todd Whitelock and Al Pryor in Studio B

: 2012 Deutsche Grammophon, Mixed by Bernie Kirsch and Todd Whitelock in Studio B

: 2012 Concord Records, Mixed by Bernie Kirsch in Studio B

: 2010 Bad Boy/Interscope, “Ass On The Floor” mixed by Pat Viala in studio C.

: 2011 Sony Masterworks, Mixed by Steve Epstein and Richard King in Studio B

: 2012 Heads Up International/Concord, Mixed by Joe Ferla in Studio B